Art Day Out (March 2016), Gillman Barracks Singapore (Part 1)

Art Day Out 2016, Gillman Barracks, Alexandra, Singapore

ShanghART Gallery (9 Lock Road, facebook): Xue Song 薛松 – The Mountain Echoes:

The ShanghART Gallery was, by default, almost everyone’s first stop at Gillman Barrack’s Art Day Out (March 2016 edition). We didn’t know anything about Xue Song being “one of the most influential and representative artists of Chinese Contemporary Art, and China’s pioneer “Pop Art” artists” at that point, but had great fun scrutinising the cutouts and figuring how they fit into the whole artpiece.

This made me think, first of the complexity of history and how short-sighted we are in thinking that we can exhaustively ascribe causes to any event in human history, and second, of the complexity of the Bible so that while it is simple enough for any literate person to read, there are depths to it unknown elsewhere in the corpus of human writing.

Xue Song 薛松 - The Mountain Echoes, SHANGArt Gallery. Art Day Out 2016, Gillman Barracks, Alexandra, Singapore

Xue Song 薛松 - The Mountain Echoes, SHANGArt Gallery. Art Day Out 2016, Gillman Barracks, Alexandra, Singapore

Xue Song 薛松 - The Mountain Echoes, SHANGArt Gallery.  Art Day Out 2016, Gillman Barracks, Alexandra, Singapore

Xue Song 薛松 - The Mountain Echoes, SHANGArt Gallery.  Art Day Out 2016, Gillman Barracks, Alexandra, Singapore

Xue Song 薛松 - The Mountain Echoes, SHANGArt Gallery.  Art Day Out 2016, Gillman Barracks, Alexandra, Singapore

Up the stairs…
Art Day Out 2016, Gillman Barracks, Alexandra, Singapore

in the Pearl Lam Galleries (facebook)Art Day Out 2016, Gillman Barracks, Alexandra, Singapore

there were beanbags on the floor to sink into and watch Yinka Shonibare‘s Odile and Odette.
Yinka Shonibare's "Odile and Odette".  Art Day Out 2016, Gillman Barracks, Alexandra, Singapore
In Swan Lake, the same dancer portrays both Odile and Odette, the characters being distinguished by her black or white costumes. In Shonibare’s version, Odile and Odette are portrayed by one black and one white ballerina, set against each other across a gilt frame. Mirror images, their identities are ambiguous.

I liked that this wasn’t another post-colonial rant about racial victimisation (only to be undone by Chris Brown at the 2016 Academy Awards) but that even racial boundaries aren’t quite clear-cut: classical ballet and contemporary art; “authentically African” Dutch wax cloth tutus, etc.

Thence to ARDNT Fine Art (facebook), where Heinz Mack was being exhibited, and art books were on sale:

ARDNT Fine Art. Art Day Out 2016, Gillman Barracks, Alexandra, Singapore

ARDNT Fine Art - Heinz Mack. Art Day Out 2016, Gillman Barracks, Alexandra, Singapore

ARDNT Fine Art - Heinz Mack. Art Day Out 2016, Gillman Barracks, Alexandra, Singapore

ARDNT Fine Art - Heinz Mack. Art Day Out 2016, Gillman Barracks, Alexandra, Singapore

to be continued… "I'm Following You" grafitti. Art Day Out 2016, Gillman Barracks, Alexandra, Singapore

"Art is not always high" grafitti. Art Day Out 2016, Gillman Barracks, Alexandra, Singapore

Chun Kai Feng at FOST Gallery, Gillman Barracks, and the Theory of Things.

We’d originally entered the FOST Gallery (1 Lock Road, Gillman Barracks) to ask for directions to an Art Day Out! tour, but I was promptly mesmerised by Chun Kai Feng’s work.

What stopped me in my tracks was that Chun’s works weren’t Singapore-icon kitsch. We’ve had loads of that for SG50 and I’ve purchased my fair share of jiu cheng gao doorstops and racial harmony doormats and chope magnetic keychains (thanks, Stuck Shop).

Yet, neither were they pretentiously arty.

Everyday objects recognisable by any person on the SBS bus were taken out of their usual contexts and rephrased slightly so that an air-conditioner diffuser hung on a wall, spray-painted carefully so that its converging lines were emphasised, giving a linear perspective.
FOST Gallery: The Key to this Mystery is to Rephrase the Question Slightly, solo exhibition by CHUN Kai Feng. Art Day Out 2016, Gillman Barracks, Alexandra, Singapore “The Key to this Mystery is to Rephrase the Question Slightly”

And it was hard not to burst out laughing at the yellow “Caution – Wet Floor” sign, that itself appeared to be slipping on a blue wet patch on the ground.

Art Day Out 2016, Gillman Barracks, Alexandra, Singapore
“Falling Falling”

I’ve been thinking quite abit about a/the theory of tangible things recently, specifically, Graham Harman‘s object-oriented philosophy of the relationship between objects, Bruno Latour‘s actor-network theory (ANT, see Reassembling the Social), Peter-Paul Verbeek‘s theory of technological mediation – that things mediate relations between people, between people and technology, and between people and the world.

design books and Singaporean Hainanese local breakfast - teh si, kaya toast, soft-boiled eggs, a cupcakeWhat anthropological, cultural studies, material culture studies questions can we ask about Things? More thinking to be done…

The Potter and the Clay

Had a great afternoon incompetently attempting to make a earthernware pot with the very lovely (and very patient) Kenneth and Huiwen of Studio Asobi (facebook).

Hand building, pinch pots, clay moulding, pottery with Studio Asobi

Hand building, pinch pots, clay moulding, pottery with Studio AsobiShaping the wet clay with our fingers and palms and various tools, the Scriptural metaphor of God as potter and humans as clay came to mind.

We often forget how in-charge God is; we think we are the ones who should have the freedom to do what we want – we foolishly think that we are in control:

The word that came to Jeremiah from the Lord: “Arise, and go down to the potter’s house, and there I will let you hear my words.” So I went down to the potter’s house, and there he was working at his wheel. And the vessel he was making of clay was spoiled in the potter’s hand, and he reworked it into another vessel, as it seemed good to the potter to do.

Then the word of the Lord came to me: “O house of Israel, can I not do with you as this potter has done? declares the Lord. Behold, like the clay in the potter’s hand, so are you in my hand, O house of Israel. If at any time I declare concerning a nation or a kingdom, that I will pluck up and break down and destroy it, and if that nation, concerning which I have spoken, turns from its evil, I will relent of the disaster that I intended to do to it. And if at any time I declare concerning a nation or a kingdom that I will build and plant it, 10 and if it does evil in my sight, not listening to my voice, then I will relent of the good that I had intended to do to it. 11 Now, therefore, say to the men of Judah and the inhabitants of Jerusalem: ‘Thus says the Lord, Behold, I am shaping disaster against you and devising a plan against you. Return, every one from his evil way, and amend your ways and your deeds.’

12 “But they say, ‘That is in vain! We will follow our own plans, and will every one act according to the stubbornness of his evil heart.’

13 “Therefore thus says the Lord:
Ask among the nations,
    Who has heard the like of this?
The virgin Israel
    has done a very horrible thing.
14 Does the snow of Lebanon leave
    the crags of Sirion?
Do the mountain waters run dry,
    the cold flowing streams?
15 But my people have forgotten me;
    they make offerings to false gods;
they made them stumble in their ways,
    in the ancient roads,
and to walk into side roads,
    not the highway,
16 making their land a horror,
    a thing to be hissed at for ever.
Everyone who passes by it is horrified
    and shakes his head.
17 Like the east wind I will scatter them
    before the enemy.
I will show them my back, not my face,
    in the day of their calamity.” (Jeremiah 18:1-17)

Hand building, pinch pots, clay moulding, pottery with Studio AsobiAnd we are even foolish enough to think that God can’t see what we think or do:

15 Ah, you who hide deep from the Lord your counsel,
    whose deeds are in the dark,
    and who say, “Who sees us? Who knows us?”
16 You turn things upside down!
Shall the potter be regarded as the clay,
that the thing made should say of its maker,
    “He did not make me”;
or the thing formed say of him who formed it,
    “He has no understanding”? (Isaiah 29:15-16)

In fact, because God made everything and so knows everything and controls everything, as potter, God has the right to do what he wants with the humans he created:

19 You will say to me then, “Why does he still find fault? For who can resist his will?” 20 But who are you, O man, to answer back to God? Will what is moulded say to its moulder, “Why have you made me like this?” 21 Has the potter no right over the clay, to make out of the same lump one vessel for honourable use and another for dishonourable use? 22 What if God, desiring to show his wrath and to make known his power, has endured with much patience vessels of wrath prepared for destruction, 23 in order to make known the riches of his glory for vessels of mercy, which he has prepared beforehand for glory— 24 even us whom he has called, not from the Jews only but also from the Gentiles? (Romans 9:19-24)

Now that is an image of an awesome sovereign God who keeps his own counsel, not the sort of god we like to think he is – a slave to humankind who heals people on demand or gives them wealth when they nag him enough.

Hand building, pinch pots, clay moulding, pottery with Studio Asobi

Singapore Design Week 2015 – Design Trails 2015 – Calligraphy and Handset Typesetting

We managed to visit the artists’ warren at 195 Pearl’s Hill before the sky broke, and there was torrential rain, and lightning and thunder, that made everyone flee deep indoors. It used to house the Singapore Police Headquarters, and like many old buildings, has had a second lease of life as artist workshops probably until there is enough commercial interest for the whole thing to be refurbished.

Singapore Design Week 2015 - Design Trails 2015 - 195 Pearl's Hill Terrace Singapore Design Week 2015 - Design Trails 2015 - 195 Pearl's Hill Terrace Singapore Design Week 2015 - Design Trails 2015 - 195 Pearl's Hill Terrace
Singapore Design Week 2015 - Design Trails 2015 - 195 Pearl's Hill TerraceWhile waiting for the typesetting demo to start, some of us sought to replenish fluids at the Mama Shop:

Singapore Design Week 2015 - Design Trails 2015 - 195 Pearl's Hill Terrace Singapore Design Week 2015 - Design Trails 2015 - 195 Pearl's Hill Terrace mama menu book. Singapore Design Week 2015 - Design Trails 2015 - 195 Pearl's Hill TerraceDown the corridor, Craft Varies (facebook) was at hand (haha) to write beautiful copperplate notes for a tin-can donation. He said he was proficient in many other calligraphy styles as well.

Craft Varies Calligraphy. Singapore Design Week 2015 - Design Trails 2015 - 195 Pearl's Hill Terrace Singapore Design Week 2015 - Design Trails 2015 - 195 Pearl's Hill Terrace Sun Yao Yu arrived from his talk about typesetting and ushered us into his exciting Typsettingsg (facebook) workspace:
typesettingsg. Singapore Design Week 2015 - Design Trails 2015 - 195 Pearl's Hill Terrace
A little Aladdin’s cave of handset typesetting metal types and presses:
typesettingsg. Singapore Design Week 2015 - Design Trails 2015 - 195 Pearl's Hill Terrace
typesettingsg. Singapore Design Week 2015 - Design Trails 2015 - 195 Pearl's Hill Terrace
typesettingsg. Singapore Design Week 2015 - Design Trails 2015 - 195 Pearl's Hill Terrace

Yao Yu gave us a whirlwind tour through the history of printing from ancient China to Gotenberg to plate-printing, then let us play a little with his handpress and cylinder press:
typesettingsg. Singapore Design Week 2015 - Design Trails 2015 - 195 Pearl's Hill Terrace
typesettingsg. Singapore Design Week 2015 - Design Trails 2015 - 195 Pearl's Hill Terrace
typesettingsg. Singapore Design Week 2015 - Design Trails 2015 - 195 Pearl's Hill Terrace
typesettingsg. Singapore Design Week 2015 - Design Trails 2015 - 195 Pearl's Hill TerraceYao Yu described this as his personal project, and also his only job. Glad that he didn’t just sit around and complain about lack of opportunity and lack of a scene in Singapore, but actively got himself trained, imported bits from all over the world, and is sustaining himself through the wedding industry. 🙂

Typesettingsg from Sun Yao Yu on Vimeo.

Singapore Design Week 2015- Make a F-ake by Freitag, and the Design Trail

Singapore Design Week 2015 - Make a F-ake by Freitag, Kapok, National Design Centre
Singapore Design Week 2015 - Make a F-ake by Freitag, Kapok, National Design CentreA no-reservation, no-waiting list, walk-ins only, first-come-first-served bit of fun cutting off pre-stamped Freitag tarp at Kapok, National Design Centre. To ensure more people could enjoy the freebies, the woman-in-charge made a big deal of checking that each person only took away either a Merlion tag or a “F-aster Chope” tissue holder.

Singapore Design Week 2015 - Make a F-ake by Freitag, Kapok, National Design Centre
Singapore Design Week 2015 - Make a F-ake by Freitag, Kapok, National Design Centre
Singapore Design Week 2015 - Make a F-ake by Freitag, Kapok, National Design Centre
Singapore Design Week 2015 - Make a F-ake by Freitag, Kapok, National Design Centre
F-aster Chope! Tissue Holder, Make a F-ake by Freitag, Kapok, National Design Centre, Singapore Design WeekThen it was all-aboard the Design Trail 2015 shuttle bus that took us round to various open houses:
Singapore Design Week 2015 - Design Trail

First stop, Basheer Graphic Books (Blk 231 Bain Street, #04-19, facebook) at Bras Basah, where a talk was going on and the logistics uncle was making teh tarik:
Singapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design Trail
Next stop, Park + Associates Architects:
Singapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design TrailSingapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design TrailI really liked the little plant-covered house-office in one corner of the open-plan work area:

Singapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design TrailChatted about one of their current projects: a new black-and-white bungalow(s) project for a man and his family. This brought us to the question: makes a colonial bungalow so easily recognisable as such? The colours of course, but also the shuttered windows, the pillars, and the verandas (but not those roof-top spaces seen in this model).
Singapore Design Week 2015 - Design TrailAnd because it started to rain quite heavily, the final stop of the day was Matter HQ (145 Neil Road). The restored shophouse we heard so much about at the Appreciating Architecture talk at SingaPlural 2015.

The shade of blue on the front facade was positively delightful:

Singapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design TrailSingapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design Trail

And it was great to actually experience the interior after seeing all those slides a week ago – current use is both commercial-retail and residential:
Singapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design Trail

Patterned dhotis, harem pants, cloth:

Singapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design Trail

And Fictive Fingers (facebook) had laid out some eraser stamps for us to play with:

Singapore Design Week 2015 - Design Trail
Singapore Design Week 2015 - Design TrailAll-in-all, an enjoyable opportunity to experience the sort of “creative” work that is going on in Singapore.

SingaPlural 2015 (99 Beach Road) and Existential Authenticity

Primary by Brandon Tan? SingaPlural 2015, 99 Beach Road, SingaporePrimary by Brandon Tan?

Pleased to be in town this time for SingaPlural 2015 (99 Beach Road, facebook), part of the Singapore Design Week 2015.

Salad Dressing's "Royal Stinker". SingaPlural 2015, 99 Beach Road, SingaporeSalad Dressing‘s Royal Stinker

Incandescence by Desinere x Tinge. lamps, SingaPlural 2015, 99 Beach Road, SingaporeIncandescence by Desinere x Tinge

In the courtyard, a playground of Heveatech wooden furniture by the Little Thoughts Group product design collective (facebook), constructed in collaboration with Samko Timber, and inspired by local places and heritage structures and a good dose of nostalgia. Ponggo by Alvin Sitoh, The Last Tiger by Andrew Loh, Icons of Sembawang by Chan Wai Lim, PlayStool by Jane Tang, Tempinis Forest by Lee Chang Tat, Open Play by Leonard Bahroocha Tan:

My Hood, SingaPlural 2015, 99 Beach Road, Singapore The Last Tiger by Andrew Loh, SingaPlural 2015, 99 Beach Road, Singapore Chan Wai Lim's rocking animals (Icons of Sembawang). SingaPlural 2015, 99 Beach Road, Singapore You could take a lovely bike from Coast Cycles (facebook) for a spin as well… Coast Cycles, SingaPlural 2015, 99 Beach Road, Singapore

…while watching out for an army of giant ants! Big Feast by Joyce Loo. SingaPlural 2015, 99 Beach Road, Singapore Big Feast by Joyce Loo. SingaPlural 2015, 99 Beach Road, SingaporeBig Feast by Joyce Loo

We were slightly antsy about being ushered into the Airbnb hut by chirpy girls, thinking of the hard-sell of time-share resorts and the like. But what fun! 3D image projection of, we were assured, real Airbnb rental sites around the world!

Airbnb Hut, SingaPlural 2015, 99 Beach Road, Singapore

Airbnb Hut, SingaPlural 2015, 99 Beach Road, Singapore Airbnb Hut, SingaPlural 2015, 99 Beach Road, Singapore

Airbnb Hut, SingaPlural 2015, 99 Beach Road, Singapore Airbnb Hut, SingaPlural 2015, 99 Beach Road, Singapore

A lot of the other installations were pure interactive enjoyment as well, even if many of us didn’t bother with the intended message of the exhibit (sorry!):

Dream A Little by RSP Architects, SingaPlural 2015, 99 Beach Road, Singapore Dream A Little by RSP Architects, SingaPlural 2015, 99 Beach Road, SingaporeDream A Little by RSP Architects

Heads in Cages by Josephy Louis Tan. SingaPlural 2015, 99 Beach Road, SingaporeHeads in Cages by Joseph Louis Tan

Scent Mapping Singapore by Allsense. SingaPlural 2015, 99 Beach Road, Singapore Scent Mapping Singapore by Allsense. SingaPlural 2015, 99 Beach Road, Singapore Scent Mapping Singapore by Allsense. SingaPlural 2015, 99 Beach Road, SingaporeFor someone who with mild prosopagnosia and who therefore tells people apart by their smell (not something to admit to anyone!), the potential of Scent Mapping Singapore by Allsense (facebook) was beyond exciting. However, by the time we got there, most of the scents didn’t quite do their descriptors (eg. Balestier Bak Kut Teh, East Coast Chilli Crab, Paranakan [sic] Pulut Hitam, Dempsey Durian Stall, Satay By The Bay, Kampong Glam Pandan Cake, Boat Quay Tiger Beer, Vanda Miss Joaquim Orchid) justice. If only they did! I’d love to have a whole scent library!

Scent Mapping Singapore by Allsense. SingaPlural 2015, 99 Beach Road, SingaporeOn the other table, the commercial blends were doing very well indeed! Ion Orchard White Tea, Tangs Gingerlily, Mount Elizabeth Clover & Aloe, Capitol “X”. More stable perhaps?

Let The Papers Sing To You by Roots. SingaPlural 2015, 99 Beach Road, Singapore Let The Papers Sing To You by Roots (Jonathan Yuen) and Victor Low. SingaPlural 2015, 99 Beach Road, SingaporeLet The Papers Sing To You by Roots (Jonathan Yuen) and Victor Low featured infrared sensors hidden within the frame of the table and recordings of fingers being pulled across papers of different textures.

You Have to Know Me to Love Me by Ezzam Rahman. SingaPlural 2015, 99 Beach Road, SingaporeYou Have to Know Me to Love Me by Ezzam Rahman

The Marriage by Miun x Lamitak. SingaPlural 2015, 99 Beach Road, Singapore The Marriage by Miun x Lamitak. SingaPlural 2015, 99 Beach Road, Singapore The Marriage by Miun x Lamitak. SingaPlural 2015, 99 Beach Road, SingaporeThe Marriage by Miun (facebook) x Lamitak. Amazingly imagined plants and flowers made from laminates.

Many of the white-box explanations next to each exhibit contained phrases like “offers an open conversation”, “this is an exploration”,  “…is a subjective affair” or asked whimsical questions of inanimate objects.

Was this the result of innate emptiness? Was this avoidance of any moral or philosophical stance a symptom of the hegemonic tyranny of existentialist thinking? asked someone.

(Then there was pointing out that this was a “design” event, and then there was pointing out by way of response that the line between “design” and “art” had been crossed when those exhibition blurbs were written, and then there were further attempts to define differences between “design” and “art”.)

But even existentialists are quite adamant about what constitutes their angsty equivalent of The Good Life. On the way home today, N and I discussed existential authenticity. Not persuaded by any of these – they seem a desperate struggle for meaning and a reason why they shouldn’t just kill themselves. But for what it’s worth, briefly:

Søren Kierkegaard problem: the media and the church, mass culture, creates the loss of significance of the individual. Society no longer forms its own opinions but relies on opinions constructed by the media. Religion too has become a tradition that passively accepted by individuals, without authentic thought.

solution: face reality, form one’s own opinions about existence, make an active choice to surrender to something that goes beyond comprehension, a leap of faith into the religious.

Friedrich Nietzsche problem: lack of questioning by the individual, herding animal morality, Christian morality = slave morality

solution: transcend limits of conventional morality to overcome oneself, revaluation of all values, decide for oneself what is good and evil, stand alone and avoid religiously constructed principles

Martin Heidegger problem: daesin has fallen away from its authentic potentiality and fallen into the world, “they” (das man) have relieved us of the “burden” of making our own choices, we live in a critically unexamined way, levelling, averageness

solution: authenticity is not about being isolated from others, but finding a different way of relating to others such that one is not lost to the “they”

Jean-Paul Sartre problem: bad faith (self-deception) is when an individual defines himself through social categorization of his formal identity, morality is a tool of the bourgeoise to control the masses, bad faith is when being-for-itself is replaced with others’ freedom

solution: authenticity is realising that the role we are playing is a lie, good faith is living within the portrait one paints of oneself and overturning set roles

Albert Camus problem: its philosophical suicide when we accept religion to relieve us of the anxiety of not having any guarantee of justice etc, life is repetitive and we live in futility and will soon be forgotten

solution: honestly confront the Absurd, live without appeal, keep life’s questions open, gain enchantment with life

not installation art, SingaPlural 2015, 99 Beach Roadfake blurb: This work draws the viewer to consider the utter futility of existential thinkers in identifying the anxiety caused by the absence of what is essential for authentic life, yet refusing to acknowledge the only One who can provide what is necessary for this life and the life to come.

Murders, Projector Rooms, Craft Beers, Biblical Interpretation

On the 4th floor of Golden Mile Tower along Beach Road, a made-up hotel room, a two-way mirror looking down onto a bathroom containing a bloodstained toilet bowl and a dustbin full of blood-soaked toilet paper, a wardrobe with louvered doors and a power socket through which you too had a ceiling view of the same hotel room with a half-unpacked suitcase, hand-cuffs, a knife. Vertical Submarine’s newest installation: John Martin, The Butcher and The Surgeon. All of us escape room veterans immediately started attempting to open doors and look into drawers and the mini-fridge and the kettle, and were duly disappointed.

“What are you trying to convey?”

“Oh, it’s up to each person to interpret.”

“…” We didn’t think it was abstract enough to be a visual Rorschach, and felt it might have been a bit of an artistic cop-out.

Outside the door to the exhibit, music could be heard coming from the floor above. I ascended the spiral staircase to investigate: The Projector, Golden Mile Tower The Projector, Golden Mile Tower The Projector, Golden Mile Tower

The ah-pek Golden Theatre’s two halls upstairs had been leased by The Projector, an indie venture showing a range of films, mostly, it seemed, of the cult or independent or Criterion Collection variety. Bookmarked! The Projector, Golden Mile Tower The Projector, Golden Mile Tower The Projector, Golden Mile Tower

Another exciting range of choice of the hoppy variety, few parallel streets away, on Tyrwhitt Road. Druggists (facebook), named for its previous occupiers – the Singapore Chinese Druggists Association, offered 23 craft beers on tap in 250ml or 500ml quaffing quantities. Druggists Craft Beer Bar, 119 Tyrwhitt Road Druggists Craft Beer Bar, 119 Tyrwhitt Road Druggists Craft Beer Bar, 119 Tyrwhitt Road Druggists Craft Beer Bar, 119 Tyrwhitt Road Druggists Craft Beer Bar, 119 Tyrwhitt Road Amused by the consistent use of beer taps to dispense both drinking water and water for hand hygiene.

Druggists Craft Beer Bar, 119 Tyrwhitt Road Mikkeller American Dream Pilsner. Druggists Craft Beer Bar, 119 Tyrwhitt Road Mikkeller SpontanMandarin Fruit Lambic. Druggists Craft Beer Bar, 119 Tyrwhitt Road The sight of Mikkeller beers made me ache a little for Copenhagen. Had an American Dream (mmm, canned lychee on shaved ice on a hot summer’s day, crisp, pop-py), and then a lambic SpontanMandarin (sour strawberry, puckertastic) as digestif. That blackboard menu is such a tease: De Molen, Thornbridge, Magic Rock, To Øl, etc waiting to be tasted.

Ah, the famed subjectivity of taste. But most of the time, careful inquiry reveals that the spectrum of perception of the taste of the food/drink itself isn’t terribly wide, rather it is the description of its taste, or taste preferences that are the main variables in food or drink reviews.

In quite a similar way, where postmodernism has done humanity a great disservice is its confused assumption that just because one cannot understand things perfectly, no interpretation is valid. To diss an unequivocal interpretation of a text as a “privileged reading”, alleging that it suits the purposes of that interpreter, while boasting of one’s own authenticity in acknowledging one’s postmodern condition and admitting “the indistinguishable fictionality of all interpretive models”, seems, to me, a whole lot of academic pretension. Afterall, in teaching that very theory, one would have had intended to convey one message, that would not have been open to a plethora of interpretations.

I’d done a training session for the youth group leaders that morning, emphasising the need to be sure of the trustworthiness of the Bible interpretation in the Christian life. The Bible isn’t open to the dip-and-pick sort of reading; neither is the suggestion that “everyone has their own interpretation of Scripture” valid. It is a collection of truths written by one God through various human authors through the ages, to convey exactly what God wants us to know.

Hence:

11 And he gave the apostles, the prophets, the evangelists, the shepherds and teachers, 12 to equip the saints for the work of ministry, for building up the body of Christ, 13 until we all attain to the unity of the faith and of the knowledge of the Son of God, to mature manhood, to the measure of the stature of the fullness of Christ, 14 so that we may no longer be children, tossed to and fro by the waves and carried about by every wind of doctrine, by human cunning, by craftiness in deceitful schemes. 15 Rather, speaking the truth in love, we are to grow up in every way into him who is the head, into Christ, 16 from whom the whole body, joined and held together by every joint with which it is equipped, when each part is working properly, makes the body grow so that it builds itself up in love. (Ephesians 4:11-16)