Chun Kai Feng at FOST Gallery, Gillman Barracks, and the Theory of Things.

We’d originally entered the FOST Gallery (1 Lock Road, Gillman Barracks) to ask for directions to an Art Day Out! tour, but I was promptly mesmerised by Chun Kai Feng’s work.

What stopped me in my tracks was that Chun’s works weren’t Singapore-icon kitsch. We’ve had loads of that for SG50 and I’ve purchased my fair share of jiu cheng gao doorstops and racial harmony doormats and chope magnetic keychains (thanks, Stuck Shop).

Yet, neither were they pretentiously arty.

Everyday objects recognisable by any person on the SBS bus were taken out of their usual contexts and rephrased slightly so that an air-conditioner diffuser hung on a wall, spray-painted carefully so that its converging lines were emphasised, giving a linear perspective.
FOST Gallery: The Key to this Mystery is to Rephrase the Question Slightly, solo exhibition by CHUN Kai Feng. Art Day Out 2016, Gillman Barracks, Alexandra, Singapore “The Key to this Mystery is to Rephrase the Question Slightly”

And it was hard not to burst out laughing at the yellow “Caution – Wet Floor” sign, that itself appeared to be slipping on a blue wet patch on the ground.

Art Day Out 2016, Gillman Barracks, Alexandra, Singapore
“Falling Falling”

I’ve been thinking quite abit about a/the theory of tangible things recently, specifically, Graham Harman‘s object-oriented philosophy of the relationship between objects, Bruno Latour‘s actor-network theory (ANT, see Reassembling the Social), Peter-Paul Verbeek‘s theory of technological mediation – that things mediate relations between people, between people and technology, and between people and the world.

design books and Singaporean Hainanese local breakfast - teh si, kaya toast, soft-boiled eggs, a cupcakeWhat anthropological, cultural studies, material culture studies questions can we ask about Things? More thinking to be done…

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